When Blind Dates Go Bad

I deeply love the works of Jane Austen. Pride and Prejudice, for all its flaws–it does have them–is one of my favorites. I also enjoy retellings that put a new spin on things. Not so long ago I went starry-eyed over a modern retelling set in Pakistan. Sadly, my blind date book did not inspire such affection.

In fact, it not only didn’t inspire affection, the whole “date” went wrong before the proverbial appetizers were finished. Check, please.

Every new chapter had a new problematic issue; xenophobia, homophobia, fatphobia. Seriously. Liz likens her father’s neglect for their familial estate to an obese person not cleaning parts of their body in the shower because they can no longer see them. Kitty repeatedly and condescendingly calls Mary a lesbian as a way to provoke her. Mrs. Bennet is terrified that Jane is too old–at 40–to bear children and will be like a neighbor of theirs who “after all those procedures still ended up with little Ying from China.”

Also, in the original P&P, Lizzie befriends Wickham after having met Darcy. They bond over their mutual dislike of him. In this version, before we are ever introduced to Darcy (I didn’t make it that far) Liz is already dating Wick–a very married man. He keeps telling her that he’s only still with his wife because they don’t want her “very Catholic” grandmother to disinherit her so their 19-month-old can’t go to private school; and that the only reason they still sleep in the same bed is that the couch is uncomfortable. She is gullible in a way that I never found Elizabeth to be. Elizabeth believed Wickham because her disapproval of Darcy colored her perspective, Liz believes Wick because she wants to sleep with him.

As I ranted about this to someone else, it was brought up to me that maybe it is all so bad to showcase how each person changes and that it will get better. Maybe. But I’m not sure I can stomach any more of it. I have never DNFed a P&P retelling before. This may be the first.

I judged the book by the cover and got burned. I should have known better.

P. S. It was not an oversight, but a conscious choice that I did not name the book or the author. I didn’t want to draw attention to the book. No need to give it any publicity.

P. S. S. If you recognize the book I am referring to and it has any redeeming qualities or plot points, you are welcome to say so in the comments. I would love to have a reason to keep reading, but right now I just can’t.

ARC Review: Sold on a Monday by Kristina McMorris

Available August 28, 2018

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Ellis Reed wants to be a true journalist. He doesn’t count the work he does working for the Society pages as real reporting. He’s biding his time, but in 1931 he’s also not going to complain about having a job–any job–either. Besides, one of the perks of the job is using the newspaper’s camera to take photographs of the things that really speak to him, like the little boys holding a sign declaring that they’re for sale.

Lilly Palmer has enough going on in her life. She has a secret son, a job working for the most demanding newspaper chief in Philadelphia, and a long-term plan that requires her to keep her head down and her nose to the grindstone. But when she stumbles across Mr. Reed’s photo in the darkroom, she can’t shake the feeling that the world needs to see it. She turns it into the chief on a whim.

Ellis is thrilled for the chance to write his first feature story. However, the photo is the catalyst for a journey that neither he or Lilly could have predicted. In the world of prohibition and mafiosos, even an innocent photograph can be dangerous–for the kids in the picture most of all.

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When I first opened this book, I had reservations. It started with a prologue that largely told me where the book was going. The prologue was in first person, but the rest of the book was in third person. I knew I had to finish because, quite frankly, I had committed to finishing it for the purposes of a review. So I bargained with myself. If I could read just a quarter of the book at a time, I could knock it out quickly without needing to force myself through long stretches. I read pretty fast, after all.

I ended up finishing the whole thing in a single sitting. Before I ever got to the twenty-five percent mark, I was enthralled.

The book moves. The pacing and tension pulled me along so that I wanted to keep reading to find out what happened next with each scene, but I didn’t feel emotionally worn out from it.

The characters were gorgeously flawed. While I rolled my eyes as the description of each of the main characters as essentially being mainstream beautiful, their characterizations were more interesting to me. Ellis isn’t just a reporter desperate for a story, he’s desperate to succeed because he has a chip on his shoulder and deep-rooted family issues. He has to prove his father wrong about him. He makes bad decisions based on past hurts and good decisions based on a sense of basic decency.

Lilly’s character is a great commentary on the way we treat single mothers in this country. She has a child from a failed relationship who lives with her parents and she has to visit on the weekends because she can’t work and care for her child at the same time. She hides her son from her coworkers because there is a stigma against being an unwed mother. She hides him from her boss because he doesn’t want to have employees who will be unreliable because of “family issues”. She desperately wants to make enough money to change her situation so her son can live with her full-time, but it is a struggle. Her decisions are based on intuition and instinct related to her experience as a single mother.

There are some parts of the plot that can seem a bit outlandish, but set in the days of Prohibition and the Great Depression when organized crime was in its heyday, there is also just enough plausibility to keep you hooked.

On the other side of the coin, there are some areas where the book didn’t score as highly with me. There is one POC character. She’s in two scenes. If I’m going to correct Regency writers, I’m going to do it to Prohibition writers too. There were a lot of missed opportunities to incorporate POC characters.

It also doesn’t portray mental illness in the best way. And that’s putting it mildly. If you are neurodivergent, just be aware that this may not be the best book for you.

Also, there is a scene where one of the main characters kisses someone while in a very serious relationship with someone else. That’s because the “someone else” is more of a plot device than a real character. The same can be said for Lilly’s son. You only meet him a few times and he’s more of a plot device than a character. So while the main characters are well developed, some of the lesser characters get a bit glossed over.

There are sprinkled in facts and descriptions to remind me of the 1930s setting, but the downside of this is that I needed to be reminded. To be truthful, I can’t put my finger on exactly why I wasn’t grounded in the time period setting, but I wasn’t. Your mileage may vary.

In the end, I liked the book both in spite of its flaws and because of its characters. I rooted for them even when I didn’t like what they were doing. So if Prohibition era fiction that features mobsters, corruption, mystery, and just a hint of romance sounds like your type of book, you’ll love this. It’s flawed but interesting.

Book Review: Full Steam of Ahead by Karen Witemeyer

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Nicole Renard is brilliant, accomplished, and determined. But despite all she is her father is focused on the one thing she’s not: a son. When he falls deathly ill and his fiercest business competitor takes drastic measures to ruin his company, he asks Nicole to find a husband who can serve as his heir to the business. Disappointed that he doesn’t view her as enough, but determined to save the family business, she accepts the task.

When her plans are forced off course by her father’s nemesis, Nicole is stranded in a small town with next to no money and fewer options. She decides to find work and earn passage on the next steamer to her intended destination. The problem is, finding work in late 1800s Texas as a woman is difficult. The only person who seems willing to hire her is the town eccentric.

Darius Thornton is a man on a mission. Several years ago a boiler exploded on one of his company’s steamers. Several passengers lost their lives and many more were injured. Darius was on the boat and nothing haunts him so much as a little girl who he couldn’t save. Now, he runs experiment after experiment to try to determine why so many boilers explode with no warning. If he can make the industry safer, nobody else has to die in the same sort of tragic accident. The only problem is that he is in desperate need of a secretary who can transcribe his notes into something legible and organized so that he can spend more of his time experimenting.

Nicole has great admiration for Darius’ work and he has tremendous respect for her intellectual prowess. As they find their footing by working together, an attraction spawns. Nicole knows she must look for an heir, but she cannot deny her feelings for Darius either. When Darius discovers her intent, he shifts his laser-like focus from exploding boilers to convincing Nicole that he is the right man for her.

But with her father’s competitor closing in on Nicole’s location and with malice in mind, their time is running out. They must decide if they will let the currents pull them apart or cling to their love and forge on together, full steam ahead.

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The concept of this one was cute as a button. It seemed like a good book to read while sitting on a beach on a hot summer day. But there are flaws. And you should know them before you begin it so you can decide if they are something you can live with.

The romance between the two main characters works for me because her attraction to him stems from more than just his countenance. While she does find him handsome, she doesn’t start to see him as such until after she realizes that he’s treating her as an equal. He thinks she’s beautiful from the start, but doesn’t care until after she displays her intelligence and assertiveness.

However, as I mentioned, the story has its flaws. For one, the only non-white character in the book is a former slave who is written in a way that I don’t think many sensitivity readers would give a green light. Very “separate but equal”. I don’t feel good about it.

Another flaw I have is the villain of the story. The motivations barely make sense, how things get resolved feels disingenuous, and worst of all is the climactic scene. When the showdown happens between Nicole and the villain, he is searching for something on her person and forcefully investigates up her skirts. It is almost clinical for his single-mindedness, but in the scene Nicole feels so violated that she raises her head toward the sky and goes catatonic. It could easily cause panic attacks for anyone who has been assaulted in a similar fashion. It only lasts for a couple of paragraphs so it’s pretty easy to skip. Though, the fact that the character suffers zero ill effects (e.g. panic attacks, nightmares, etc) is hard for me to swallow. I get that she’s a strong woman, but that doesn’t have any bearing on whether or not an experience like that would affect her.

Those were the biggest drawbacks to me. It’s up to you to decide whether or not they are deal breakers for you.

 

Book Review: A Change of Fortune by Jen Turano

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Lady Eliza Sumner is the daughter of an English Earl and in the lap of luxury. Or she was. After her father passed away and the title passed to her cousin, she discovered her father’s man of business stole the entirety of the family fortune and her fiancé disappeared when the money did.

Determined to get back her family’s money and bring the blackguard of a money manager to justice, she tracks him to New York where he and his wife are parading around in society using a false English title. Since she has no money and would like to maintain the element of surprise, Eliza drops her honorific and takes a job as a governess in order to track the movement of her own personal nemesis through society. When she gathers enough information on his comings and goings to move-in, she runs head first into trouble.

Hamilton Beckett is a widow with two small children and a railroad business to run. He’s a busy man who wishes that maintaining business relationships didn’t involve having eligible daughters thrust in his path at fancy dinner parties. Especially since he has bigger problems to deal with, like catching the man who keeps sabotaging his business transactions.

When he gets word that the man he’s tracking is in a shady partnership with an English lord, he decides to do a little snooping around in Sir High and Mighty’s mansion. Unfortunately, before he can find much he collides with destiny.

Eliza and Hamilton find that their interests align. They reluctantly begin to work together to save his business and her money. If they can learn to trust one another they could get everything they crave, but they might just lose their hearts in the process.

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This book had a lot of potential. A heist. A period piece. A clean romance. And while there were cute elements to the story, I found that it fell short for me.

Hamilton’s children are used as more of a plot device than as real characters. The precocious little girl and her baby-ish younger brother who instantly love their father’s new friend. Because of the way they are treated in the storyline you know what will eventually happen to them within a few pages of their first appearance.

As so many of the stories I’ve read lately have done, Eliza’s beauty is so directly tied to her tiny waist that when she is trying to remain inconspicuous she wraps wads of linen around her midsection. The only other thing she does to disguise herself is to wear glasses. That’s it. Glasses and a padded waistline and suddenly she’s Little Miss Frumpy who easily hides in the background. But the minute she’s thin and takes the glasses off–poof–she’s the belle of the ball who catches everyone’s eye. At one point she’s told that she can’t possibly go along on a reconnaissance mission because she’s so lovely she stands out in a crowd. Even though a couple of chapters back nobody even glanced at her because of an old pair of spectacles and a thick waist. It’s insulting on several levels.

Eliza and her friend Agatha maintain over and over in the story that they don’t need a man to do things for them, they are equals and should be treated as such. The only problem with this claim is that they are both constantly getting in trouble and the men of the story are coming to their rescue. Even if they manage to start finding a solution on their own, the scene never finishes without men coming to help them get to safety. It’s such a contradiction to the tone that the author seems to want to set with the independent nature of the female characters that it becomes campy.

It has a few other failings, but if these haven’t yet turned you off, I doubt any of the others will. Don’t get me wrong, I didn’t hate this book. I just couldn’t make myself like it either.

Book Review: A Great Catch by Lorna Seilstad

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It’s the start of a new century, the twentieth, in Iowa and Emily Graham is not just a suffragist, she’s the president of the Lake Manawa Suffragist Society. She has one goal and one focus–getting women the right to vote. Her aunts, on the other hand, are equally determined to find Emily a husband.

Just when Emily manages to discourage her aunts meddling by accidentally knocking the latest suitor unconscious during an unfortunate game of horseshoes, she finds herself caught off guard by the handsome Carter Stockton.

Carter Stockton has only the summer left to play baseball. He’s the starting pitcher for that Manawa Owls, but come fall his father expects him to take his place in the family business. And if the Owls can’t maintain a winning record, his father may demand he give up the game even sooner. He doesn’t need any distractions. But Emily Graham is more than a distraction. She’s a line drive that he can’t escape.

When an opportunity arises for the Owls to get unprecedented publicity and for the Suffragists Society to make an undeniable statement for women’s rights, Emily and Carter find that their paths are entwined. If they can work together, they might get everything they are hoping for…and a whole lot more.

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If you haven’t guessed, this was one of my palate cleansers that I mentioned a few weeks back. It did its job. It was cute, sweet, and gloriously innocent.

The romance between Carter and Emily is not a slow burn, which isn’t always common among clean reads. Their feelings for one another develop quickly, but being that they are both from upper echelon families in 1901, they must move slowly because propriety demands it. So there is still a push and pull that is fun to see. But it’s not a perfect story.

I love baseball and period pieces, so this was right up my alley. While the baseball scenes didn’t always feel accurate, it wasn’t anything I couldn’t get over or chalk up to turn of the century minor league nuances. While I have a deep love for baseball, I’m certainly not a baseball historian. I tried not to stop and look up facts while I was reading. That helped too.

There is a line about Carter being able to wrap his hands around Emily’s waist and his fingers meeting in the back. That disturbed me because I’m having trouble picturing a woman that thin being healthy. There are a couple of lines like this in the story that make me cringe. Can we please stop judging a woman’s beauty by how “impossibly small” her waist is?

I was also not impressed with the villain’s rationale. He’s willing to kill one threat to his plan, but not another. This is a little too convenient for me. It didn’t feel very well planned out.

There is also zero diversity in this book. The entire cast is upper-class white people.

If you can get past those things, it’s a cute book. If any of those sound like deal breakers to you, skip it.

Book Review: The Keeper by Susan Woods Fisher

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Julia Lapp is going to marry Paul Fisher. They have been engaged for over two years and the time has finally come. But when Paul tells Julia that he wants to postpone the wedding for the second time her heartbreak is only surpassed by her anger. She knows exactly who has influenced Paul: The Bee Man.

He comes to their county every year, bringing his bees with him. He rents them out to farmers to help pollinate their crops and is in high demand, but he always makes time for the Lapp family and tends to spend most of his time with them.

When he arrives, Julia plans to give him a piece of her mind but the truth is that she needs the Bee Man, a.k.a Rome Troyer. Her father’s heart is weak and grows weaker each day. She and her younger siblings cannot run the farm alone. She needs Rome’s help.

Rome is more than happy to help the Lapp family. And he is truly sorry for the hurt he has caused Julia. He even consents to help make Paul jealous enough to whisk his bride down the aisle. But the longer he spends with Julia, the more he realizes he doesn’t want Paul to be the one to marry her. He wants to be the one to hold her hand for the rest of his life. He wants to be more than just the Bee Man. He wants to be a keeper.

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I have an affinity for Amish Romances, and Susan Woods Fisher rarely lets me down. However, there was a subplot in this one that made me undeniably uncomfortable.

The main storyline between Julia and Rome was a classic fake relationship trope and it worked, though it was painfully slow in coming. But in order to help keep things running at the farm, Julia’s uncle enlists the help of a housekeeper and caretaker for her father. The woman is harsh, but in true happily ever after fashion ends up becoming a loved part of the family.

Except that she incessantly fat-shames Julia’s middle sister. She actually refers to her as “the overfed one” several times in the story to her face. And while I’m sure it is supposed to be a good thing that the two of them bond and help the young girl discover her natural talents, never once–not a single time–is any apology ever made for fat-shaming her.

This young girl is so ashamed of herself that she sneaks food and cries in her room because she doesn’t look like her sisters. She laments her place in the family, the community, and life itself. And yet, this person who comes in the home and uproots her role not to mention her sense of normalcy and then name calls and further shames her is somehow seen as a mentor.

The main plot between Julia and Rome was cute enough, but in the end, the subplot left me angry and uncomfortable.

Book Review: Trail of Lightning by Rebecca Roanhorse

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The Big Water came. The world changed. The monsters returned. This is the Sixth World.

Maggie Hoskie is a Diné, or Navajo, monster hunter. And the reservation where she grew up is now Dinétah, a land surrounded by walls on each side to keep out those would try to colonize the land all over again. But sometimes what’s inside the walls is enough to give you nightmares.

Her mentor, a living legend who broke Maggie’s heart, abandoned her almost two years ago without another thought. She’s been hiding out, trying to put the pieces of her life back together. Unfortunately, the monsters don’t care that she’s experiencing emotional turmoil and when one of them abducts a little girl, Maggie knows what she has to do.

What Maggie finds when she tracks the little girl down is a lot of scary questions that need answers. The kind of monster she is tracking is one she has seen before–the kind that took her family from her. But this type of monster is made and someone is controlling it, and she needs to know who.

With the help of a handsome and charismatic medicine man named Kai, Maggie sets off to find the one responsible and do what she does best–kill them. But she’s up against more than just monsters. Witches, legends, and a meddling Coyote could mean she’s finally found a fight she can’t win. And if she doesn’t, the world will end. Again.

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It was hard to write that summary because no matter what I said I couldn’t do the story justice. It’s also really difficult to write coherently when I’m this excited. I’m going to take a deep breath and try not to oversell this one for you.

Deep breath. Okay. I’m ready.

This is the best thing I’ve read this year.

Let’s start with some of the things I liked. I say “some” because if I listed them all, this post would be encyclopedic in length.

I like Fantasy novels that incorporate mythology into the storyline. The trouble is, so many of the stories have been done to death. This is the first Fantasy I’ve read that uses Navajo, or more accurately Diné, mythology as its base and it was awesome. It was new (to me), it was gripping, and it sucked me in so much that now I’m counting down to April of 2019 so I can read the sequel.

Maggie is both strong and vulnerable in all the best ways. And by best I mean relatable. She knows she can kick butt, but she’s not great with people. She’s been burned and is afraid of letting people in because they might break her heart, or she might break them. But she doesn’t let that fear hold her back from her calling. With a custom grip shotgun that uses corn pollen bullets and a Böker hunting knife, she lays waste to the things that go bump in the night. I also love her sense of humor.

The supporting cast is lovable, flawed, and full of depth. It wouldn’t shock me at all if fanfiction involving Tah or Clive starting popping up in the near future. And Maggie isn’t the only woman who can hold her own. Grace and her daughter Rissa are smart, capable women who nobody would ever dare call damsels.

Clan powers. They’re super cool.

Okay, now that it’s getting harder and harder to rein in the gushing, let me talk about a couple of things I didn’t like.

When Maggie first begins to track the monster, she has flashbacks to when another monster hurt her. She has already mentioned that sometimes humans are the worst monsters of all. For a moment, I was afraid the flashback was going to allude to some sort of sexual assault. The kind that makes me put a book down. Luckily, I was so determined to read this book that I’d been excited about since I first saw the blurb go up on Goodreads that I kept going and discovered it was a flashback of a trauma, but not one of a sexual nature. However, if this easily triggers you, please be careful in the first couple of chapters while she hunts for the little girl and her captor.

The relationship that Maggie has with her mentor is understandable based on her backstory, but when you finally meet him he bears the stench of an abuser. Emotionally and in at least one specific instance physically, though they were in a fighting ring at the time. I concede that this may be because of who he is in Diné mythology, and since I know so little about him I didn’t know to expect it. In any case, be aware that there is an emotionally abusive relationship on the page. It is not a romanticized one, but it is there.

Those were my sticking points.

Part of me really wants to see this one made into a movie if for nothing else than to watch the scene where Clive helps Maggie get ready for The Shalimar. Also, I now solidly believe that mocassins are superior footwear for monster slayers. I want to see more of that.

If you’ve been seeing this book mentioned on social media or on Goodreads, but weren’t really sure if you should give it a shot, I encourage you to go for it.

Book Review: Short-Straw Bride by Karen Witemeyer

I read a book (not this one) last week that I should have DNF’d. I didn’t. I had nightmares. A lot of them. I was not okay. This is why some of us who review books provide trigger warnings if we can.

To be honest, I cannot review that book. I could tell you about the well-developed characters and the way trauma was handled in the book, but I can’t bring myself to think that hard about certain plot elements right now. Maybe soon. Maybe never. I’m sorry.

After I finished that book, I needed a palate cleanser. Actually, I needed three, but I started with this one.

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Meredith Hayes knows that people trespass on Archer land at their own peril. The Archer men have secluded themselves for over a decade, ever since their father died, and do not take kindly to strangers. But Meredith also knows that Travis Archer, the eldest, has a kind and compassionate side because he helped her when she most needed it. So when she overhears a plot to burn them off their ranch, forcing them to sell the land, she feels she owes it to Travis to warn him.

Meredith arrives in time to warn the boys, but not without consequence. Suffering from a kick to the head by a fire-frightened mule, she is cared for by the Archers while she recovers. The only problem is that society doesn’t care why she was without a chaperone in a house full of men, her reputation is shattered and her guardian will not allow her to come home because of it. There is only one thing to restore her good name–she must marry an Archer.

Travis is the eldest and the only one who has known Meredith more than the three days it has been since she arrived with her warning. When he and his brothers draw straws to see who will marry her, he makes sure he’s the one who ends up with the short straw. It’s his responsibility, that’s all–or so he tells himself.

But the Archers aren’t in the clear yet. Someone still wants their land and will go to great lengths to get it. Travis and Meredith both want to protect the Archer ranch, but their desire to protect each other scares them far more than any villain ever could. Meredith knows that Travis feels responsible for her, but what she wants is to be more than just a short-straw bride.

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This book was pretty cute on the whole. It was a clean, Christian Romance. If any of those words make you cringe, move on. For me, it was a good book to follow the One That Shall Not Be Reviewed. I enjoyed it, but it isn’t perfect, so I’ll still give you my usual breakdown.

First, the things I liked.

It was a clean read. After the “other book”, I needed that. Romance needed to be sweet and good again.

It’s a period piece set in post Civil War Texas, but it doesn’t pretend that the population of Texas was monochromatic or fair. There is a counterpoint to this coming, so don’t do a happy dance just yet.

Meredith has a disability that stems from a physical trauma in her childhood. While there are characters (never her love interest) who call her names, she is not written as a weaker character or one who laments her injury. It’s not a lot, and there are times that I don’t like the way it’s addressed, but there are so few main characters with any sort of physical disability that I have to appreciate this one.

The dog doesn’t die. The horses don’t die. I know it’s a stupid thing, but I needed this book to be a happy one. And any book that has an animal companion bite the dust is not a happy book. Where the Red Fern Grows almost undid me as a child.

Now, for the other side of the coin.

The non-white characters are few and all serve the same trope-y purpose. They are the hardworking mentor types with very little presence apart from that. So while I’m glad that there is no “white savior”-ness to the story, the old stereotypes are still present.

Also, there is only one type of non-white character. There is a settlement of Black “freedmen”, but there is no evidence in this Texas town of a Latinx population or a Native one. I find that improbable at best and erasure at worst. I don’t think it was intentional on part of the author to do so, but I think by pointing it out in books like this, perhaps more authors will be more intentional about inclusivity.

Meredith is treated as weaker by some of the characters because of her disability. It grated on my nerves, but I think that was intentional. Still, I point it out because if that is going to be upsetting to anyone, I’d like for you to know going in.

It is not at all thematic in the book, but there are a couple of lines in different chapters that had the echo of fat-shaming. It annoyed me more than offended me and it was fleeting, but it was there.

All in all, I still thought it was cute. And it was a good palate cleanser. Though, to be honest, I followed it up with two more for which reviews are coming. Seriously, that one book messed me up and I needed a chance to recover from it. Especially since I needed to be ready for the debut of Trail of Lightning by Rebecca Roanhorse that came out this week. You’ll be happy to know that I’m all through with my palate cleansing and was able to dive into ToL on the day of its debut. I’ll be reviewing that in a future post as well.

Book Review: The Rogue Retrieval by Dan Koboldt

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Quinn Bradley is a Vegas magician. His dream in life is to headline at a casino on the strip and he’s finally got a shot to make the big time–until a powerful and mysterious corporation blocks him out. They want him to themselves, to go through a secret portal into another world and impersonate a guild magician in order to retrieve a rogue official. The problem is that in this new world, magicians aren’t illusionists, but wield real power and the penalty for impersonating one is death.

Quinn goes through the portal with the others on the mission, but things go wrong from the start. A dragon attack, a pack of wild dogs, a closed portal, loss of communication with the company on the other side, and a trap waiting for them, and that’s just the first day. They chase a ghost through groups of mercenaries and highwaymen only to find the rogue official is already three steps ahead. And Quinn pays the price when the magicians guild captures him.

In a strange and fortuitous turn of events, the magician who captures Quinn senses a spark of true magic in him. Instead of immediate execution, the guild gets to see what Quinn has to offer. If he can convince them he’s more than just razzle-dazzle he gets to keep his life, but he needs to do so before another group of rogues kills his comrades and destroys the portal, locking him in this strange world forever.

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This was a good book. The characters were well-developed. Some plot points were predictable, but they were done with flair. I would recommend it to a lot of the readers I know. It didn’t quite grasp me the way I hoped it would, but I can’t put my finger on why.

First, the things I liked about the book.

Genre-bending. Is it Fantasy? Is it is Science Fiction? The truth is this story sports a little of both and I love that.

A cast that isn’t lily white or without distinctive character voices. There were two characters with similar voices, but they were still distinctive enough not to be confused. I like when characters aren’t cardboard cutouts of each other just taking up space in the background. I cared about each character’s struggles.

There were unanswered questions that didn’t make the novel into something that couldn’t stand alone, but left enough room so that the sequels (it is the first in a series) make sense and already have a pull.

Not everyone magically survives battles, wars, or thugs and those that do aren’t unscathed emotionally. It feels more real when the characters have scars.

Now for the things I wasn’t so keen on.

The admiration Chaudri has for Holt and the questions about their relationship allude to a workplace romance. I dislike the colleague romance tropes. It’s just not my thing. To be fair, it seems pretty one-sided and not like an abuse of power.

I like romantic subplots and there was one here, but it was an afterthought. That is a plus for a lot of readers. More power to you.

That’s pretty much it. It has a lot going for it, and I suspect if I read it on a different week than I did (I was busy and distracted) I’d have loved it instantly. And truthfully, I care enough about the characters that I’m still interested in the sequels. So when I say it didn’t grip me, don’t let that turn you off. I stand by my first statement. It’s a good book.

Book Review: Prophecy by Lea Kirk

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When an alien race attacks Earth and decimates the population, Alexandra Bock is caught in the crossfire. Captured and locked up with a small group of survivors intended for sale on the intergalactic slave market, she comes face to face with her least favorite thing–more aliens.

Gryf Helyg is part of the Matiran Guardian Fleet that has protected Earth for millennia. Betrayed by one of his own, Gryf is captured in the defeat of the fleet and is locked up with the very people he failed to protect–Earthlings.

Alexandra and Gryf get off to a rocky start, but it soon becomes apparent that their connection is more than tangential. They are each one half of a twelve-thousand-year-old prophecy about the protection, or destruction, of both Earth and Matir. To fulfill the prophecy the two have to bond their souls, forever tying their lives and their fates together. Gryf would do anything to protect Earth, but Alexandra quickly realizes more than her planet is on the line. Their bond could be a blessing to both their people, but it could also break her heart.

If Alexandra can overcome her fear and Gryf can maintain a level head, the two of them could save both their planets. If not, both of their races will be annihilated. But no pressure or anything.

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I love a good sci-fi romance. This book had all of the parts of the equation. Aliens, both good and bad. Rescue missions. Intergalactic stakes. A heroine with bite. But each fell just a little bit short.

The book felt more like a season of a television show than a book. About every three chapters a problem was solved in a very episodic fashion, and with the breaks in between the story was choppy. There was potential, and of course, the story isn’t a Thriller, so the characters have to have a chance to react, but these characters begin a tryst on the outer border of their safe zone while the Watch looks on. They don’t take the threat seriously enough. I have seen this advice given to writers, so I think the intentions were good, but I don’t think the advice was applied to the book’s best advantage.

The Matirans are altruistic in the desire to protect Earth without anything in return. There is no trade, no tax, nothing from Earth–the planet doesn’t even know they exist. There is some weak DNA link from thousands of years ago, but it’s a weak argument for millennia of military resources and maneuvers, so the backstory and premise for their presence are weak.

Also, *Trigger Warning* one of the antagonists is a sexual predator. He impregnates a fifteen-year-old girl. He carves his initials in his victims’ skin to mark them as his possessions. He doesn’t make a lot of appearances, but it’s enough. It definitely affected my overall impression and opinion of the story.

As for our heroine, her bite was muzzled early on and she gives the reins to the Matirans without much fight. She also convinces her new extraterrestrial friends that their tradition of letting the woman make the first move in a relationship isn’t attractive to Earth women.

Your mileage may vary. Maybe this is up your alley. I won’t judge. But it wasn’t my cup of tea.

And to be clear, I’m not saying the author isn’t talented. Her concept for the story was intriguing, in the end, I just thought it could have been executed better, and perhaps without some of the more problematic elements.