Julia Lapp is going to marry Paul Fisher. They have been engaged for over two years and the time has finally come. But when Paul tells Julia that he wants to postpone the wedding for the second time her heartbreak is only surpassed by her anger. She knows exactly who has influenced Paul: The Bee Man.
He comes to their county every year, bringing his bees with him. He rents them out to farmers to help pollinate their crops and is in high demand, but he always makes time for the Lapp family and tends to spend most of his time with them.
When he arrives, Julia plans to give him a piece of her mind but the truth is that she needs the Bee Man, a.k.a Rome Troyer. Her father’s heart is weak and grows weaker each day. She and her younger siblings cannot run the farm alone. She needs Rome’s help.
Rome is more than happy to help the Lapp family. And he is truly sorry for the hurt he has caused Julia. He even consents to help make Paul jealous enough to whisk his bride down the aisle. But the longer he spends with Julia, the more he realizes he doesn’t want Paul to be the one to marry her. He wants to be the one to hold her hand for the rest of his life. He wants to be more than just the Bee Man. He wants to be a keeper.
I have an affinity for Amish Romances, and Susan Woods Fisher rarely lets me down. However, there was a subplot in this one that made me undeniably uncomfortable.
The main storyline between Julia and Rome was a classic fake relationship trope and it worked, though it was painfully slow in coming. But in order to help keep things running at the farm, Julia’s uncle enlists the help of a housekeeper and caretaker for her father. The woman is harsh, but in true happily ever after fashion ends up becoming a loved part of the family.
Except that she incessantly fat-shames Julia’s middle sister. She actually refers to her as “the overfed one” several times in the story to her face. And while I’m sure it is supposed to be a good thing that the two of them bond and help the young girl discover her natural talents, never once–not a single time–is any apology ever made for fat-shaming her.
This young girl is so ashamed of herself that she sneaks food and cries in her room because she doesn’t look like her sisters. She laments her place in the family, the community, and life itself. And yet, this person who comes in the home and uproots her role not to mention her sense of normalcy and then name calls and further shames her is somehow seen as a mentor.
The main plot between Julia and Rome was cute enough, but in the end, the subplot left me angry and uncomfortable.